Legacy: Martin Luther King Jr. August 28, 1963

Martin Luther King Jr. by Peter Max
Martin Luther King Jr. by Peter Max

 

I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.

Five score years ago, a great American, in whose symbolic shadow we stand today, signed the Emancipation Proclamation. This momentous decree came as a great beacon of hope to millions of slaves, who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long night of their captivity. But one hundred years later, the colored America is still not free. One hundred years later, the life of the colored American is still sadly crippled by the manacle of segregation and the chains of discrimination.

One hundred years later, the colored American lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the colored American is still languishing in the corners of American society and finds himself an exile in his own land So we have come here today to dramatize a shameful condition.

In a sense we have come to our Nation’s Capital to cash a check. When the architects of our great republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir.

This note was a promise that all men, yes, black men as well as white men, would be guaranteed to the inalienable rights of life liberty and the pursuit of happiness.

It is obvious today that America has defaulted on this promissory note insofar as her citizens of color are concerned. Instead of honoring this sacred obligation, America has given its colored people a bad check, a check that has come back marked “insufficient funds.”

But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation. So we have come to cash this check, a check that will give us upon demand the riches of freedom and security of justice.

We have also come to his hallowed spot to remind America of the fierce urgency of Now. This is not time to engage in the luxury of cooling off or to take the tranquilizing drug of gradualism.

Now is the time to make real the promise of democracy.

Now it the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice.

Now it the time to lift our nation from the quicksands of racial injustice to the solid rock of brotherhood.

Now is the time to make justice a reality to all of God’s children.

It would be fatal for the nation to overlook the urgency of the moment and to underestimate the determination of its colored citizens. This sweltering summer of the colored people’s legitimate discontent will not pass until there is an invigorating autumn of freedom and equality. Nineteen sixty-three is not an end but a beginning. Those who hope that the colored Americans needed to blow off steam and will now be content will have a rude awakening if the nation returns to business as usual.

There will be neither rest nor tranquility in America until the colored citizen is granted his citizenship rights. The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges.

We can never be satisfied as long as our bodies, heavy with the fatigue of travel, cannot gain lodging in the motels of the highways and the hotels of the cities.

We cannot be satisfied as long as the colored person’s basic mobility is from a smaller ghetto to a larger one.

We can never be satisfied as long as our children are stripped of their selfhood and robbed of their dignity by signs stating “for white only.”

We cannot be satisfied as long as a colored person in Mississippi cannot vote and a colored person in New York believes he has nothing for which to vote.

No, we are not satisfied and we will not be satisfied until justice rolls down like waters and righteousness like a mighty stream.

I am not unmindful that some of you have come here out of your trials and tribulations. Some of you have come from areas where your quest for freedom left you battered by storms of persecutions and staggered by the winds of police brutality.

You have been the veterans of creative suffering. Continue to work with the faith that unearned suffering is redemptive.

Go back to Mississippi, go back to Alabama, go back to South Carolina go back to Georgia, go back to Louisiana, go back to the slums and ghettos of our modern cities, knowing that somehow this situation can and will be changed.

Let us not wallow in the valley of despair. I say to you, my friends, we have the difficulties of today and tomorrow.

I still have a dream. It is a dream deeply rooted in the American dream.

I have a dream that one day this nation will rise up and live out the true meaning of its creed. We hold these truths to be self-evident that all men are created equal.

I have a dream that one day out in the red hills of Georgia the sons of former slaves and the sons of former slaveowners will be able to sit down together at the table of brotherhood.

I have a dream that one day even the state of Mississippi, a state sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice.

I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by their character.

I have a dream today.

I have a dream that one day down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of interpostion and nullification; that one day right down in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers.

I have a dream today.

I have a dream that one day every valley shall be engulfed, every hill shall be exalted and every mountain shall be made low, the rough places will be made plains and the crooked places will be made straight and the glory of the Lord shall be revealed and all flesh shall see it together.

This is our hope. This is the faith that I will go back to the South with. With this faith we will be able to hew out of the mountain of despair a stone of hope.

With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood.

With this faith we will be able to work together, to pray together, to struggle together, to go to jail together, to climb up for freedom together, knowing that we will be free one day.

This will be the day when all of God’s children will be able to sing with new meaning “My country ’tis of thee, sweet land of liberty, of thee I sing. Land where my father’s died, land of the Pilgrim’s pride, from every mountainside, let freedom ring!”

And if America is to be a great nation, this must become true. So let freedom ring from the hilltops of New Hampshire. Let freedom ring from the mighty mountains of New York.

Let freedom ring from the heightening Alleghenies of Pennsylvania.

Let freedom ring from the snow-capped Rockies of Colorado.

Let freedom ring from the curvaceous slopes of California.

But not only that, let freedom ring from Stone Mountain of Georgia.

Let freedom ring from every hill and molehill of Mississippi and every mountainside.

When we let freedom ring, when we let it ring from every tenement and every hamlet, from every state and every city, we will be able to speed up that day when all of God’s children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old spiritual, “Free at last, free at last. Thank God Almighty, we are free at last.”

Legacy: Richie Havens

Richie Havens 1941 - 2003

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Another master has walked through the gates of Rock n Roll heaven. Richie Havens, who came to prominence as the opening act of the Woodstock Festival (though a seminal force of the 60s folk music scene) has left us. He wasn’t a household name as the years progressed, but should have been. The gruff, hypnotic consistency of his voice beautifully juxtaposed the textured layers of his gorgeous rhythm guitar playing – which was both delicate and abrasive – and words he sang as bold as a lion and lovely as a lamb.

He famously covered the Beatles’ “Here Comes The Sun” and, if you pardon the cliche, made it his own. I was recently reveling in his album “Mixed Bag” – as I have so many times over the years. Released in 1967, it’s often considered his finest album – it consisted of his near-classic cover versions of Gordon Lightfoot’s “I Can’t Make It Anymore,” the Beatles’ (again) “Eleanor Rigby” and one of the definitive versions of Bob Dylan’s “Just Like A Woman.” He was one of the preeminent interpretative singers.

My favorite track on the album is one of my favorite songs of all time – it never fails to bring a tsunami of emotions into my heart – it simultaneously leaves me in a contemplative state of reverie and bittersweet nostalgia. It was written by Jerry Merrick and Havens makes it live with his elucidation.

And as I write this, that song, “Follow,” is wafting from my iTunes and into my soul. Much like Havens’ voice has for most of my life.

Rest in peace, song man. You will be missed.

Let the river rock you like a cradle
Climb to the treetop, child, if you’re able
Let your hands tie a knot across the table.
Come and touch the things you cannot feel…

And close your fingertips and fly where I can’t hold you
Let the sun-rain fall and let the dewy clouds enfold you
And maybe you can sing to me the words I just told you…
If all the things you feel ain’t what they seem.

Then don’t mind me ‘cos I ain’t nothin’ but a dream…

The mocking bird sings each different song
Each song has wings – they won’t stay long.
Do those who hear think he’s doing wrong?
While the church bell tolls its one-note song
And the school bell is tinkling to the throng.
Come here where your ears cannot hear…

And close your eyes, child, and listen to what I’ll tell you
Follow in the darkest night the sounds that may impel you
And the song that I am singing may disturb or serve to quell you
If all the sounds you hear ain’t what they seem,

Then don’t mind me ‘cos I ain’t nothin’ but a dream…

The rising smell of fresh-cut grass,
Smothered cities choke and yell with fuming gas;
I hold some grapes up to the sun
And their flavour breaks upon my tongue.
With eager tongues we taste our strife
And fill our lungs with seas of life.
Come taste and smell the waters of our time.

And close your lips, child, so softly I might kiss you,
Let your flower perfume out and let the winds caress you.
As I walk on through the garden, I am hoping I don’t miss you
If all the things you taste ain’t what they seem,

Then don’t mind me ‘cos I ain’t nothin’ but a dream…

The sun and moon both are right,
And we’ll see them soon through days of night
But now silver leaves on mirrors bring delight.
And the colours of your eyes are fiery bright,
While darkness blinds the skies with all its light.
Come see where your eyes cannot see.

And close your eyes, child, and look at what I’ll show you;
Let your mind go reeling out and let the breezes blow you,
Then maybe, when we meet, suddenly I will know you.
If all the things you see ain’t what they seem,

Then don’t mind me ‘cos I ain’t nothin’ but a dream…
And you can follow…and you can follow…follow…

Legacy: TCM Remembers 2012

TCM Remembers 2012

A few weeks ago, TCM started airing it’s annual display of bittersweet beauty in remembering those who have left us from the world of cinema (they posted the tribute on their official YouTube page on December 10, weeks before greats like Jack Klugman and Charles Durning recently left this life). As with every year, there will be people who were left out, but that doesn’t negate the simplicity and grace of the tribute.

This year, they used the haunting M83 track, “Wait.”

Music Box: The Voice Perform Leonard Cohen

After this week’s searing, fiery tears of unfathomable horror, I stayed away from FB and Twitter for the most part. I didn’t want to get angry at those who posted incessant streams of religious-themed “prayers” (in the history of the world, prayer has never – ever – helped anything other than the emotions of the one doing the praying) and sickening “heaven has new angels” shit. Unparalleled and unimaginable horror and the slaughter of children can not be made better, even briefly, by treacly (even if well-meaning) mythologies.

But then I saw this.

Whether you watch the Voice, or whether you’re a fan of Blake Shelton, Adam Levine, Christina Aguilera, Cee Lo Green or this season’s contestants matters not (I’ve not seen an episode since Season 1). This was a much needed moment…a simple act of grace in the most agonizing, harrowingly painful 100 hours we’ve had to bear. And it was beautiful. Heartbreaking and beautiful.


Direct contributions may be sent to:


Sandy Hook School Support Fund
C/O Newtown Savings Bank
39 Main Street, Newtown CT 06470

Newtown Youth and Family Services, a nonprofit mental health clinic, that provides emergency counseling for families.  All donations made to the organization will benefit those affected.  https://newtown.uwwesternct.org/

Newtown Parent Connection, a nonprofit that addresses issues of substance abuse and offers bereavement group counseling. 
http://www.newtownparentconnection.org/

Legacy: Sandy Hook

I can’t seem to stop the tears. It’s permeating…a brutal blow to the reality that is called living. I weep, along with the rest of the world, knowing that this isn’t the end; that the vampires will thrive and the ogres shall endure to wander this world; and innately good and innocent people – our children – will continue to be slaughtered.

How soon before the demon that possessed the evil Sandy Hook assassin will manifest itself into another infernal living vestibule and carry out more unparalleled, aching horror?

We, as merely mortal Homo sapiens, can only pray to a god that doesn’t exist…it comforts the soul; folklore sooths the agony for many. And that’s okay.

But I immerse myself in meditative thought and music. It may sound frivolous, but not any more so than praying to invisible gods in imaginary heavens.

I weep for the innocent lambs slaughtered by the wolves – I weep. What else is there for me to do?

I go to this piece in times like these…times that too often darken the skies of our world.

So, as you listen, bow your head in remembrance of the victims of this most heinous act – the innocents and the protectors:

  • Charlotte Bacon, 6
  • Daniel Barden, 7
  • Olivia Engel, 6
  • Josephine Gay, 7
  • Dylan Hockley, 6
  • Madeleine Hsu, 6
  • Catherine Hubbard, 6
  • Chase Kowalski, 7
  • Jesse Lewis, 6
  • Ana Marquez-Greene, 6
  • James Mattioli, 6
  • Grace McDonnell, 7
  • Emilie Parker, 6
  • Jack Pinto, 6
  • Noah Pozner, 6
  • Caroline Previdi, 6
  • Jessica Rekos, 6
  • Avielle Richman, 6
  • Benjamin Wheeler, 6
  • Allison Wyatt, 6
  • Rachel D’Avino, 29, teacher’s aide
  • Dawn Hochsprung, 47, principal
  • Anne Marie Murphy, 52, teacher’s aide
  • Lauren Rousseau, 30, teacher
  • Mary Sherlach, 56, school psychologist
  • Victoria Leigh Soto, 27, teacher

Legacy: World AIDS Day 2012

World AIDS Day

For my friends who are living with it…
For the souls we have lost forever because of it…
Here’s to all your brave and dauntless hearts…
In the most brilliant of days and through the darkest hours…we fight with you…and will continue to fight with you until this scourge – and the blinding heat of hate – is banished, evermore…

We will never forget.

Legacy: Say A Little Prayer – Hal David

Hal David May 25, 1921 ~ September 1, 2012

 

Another legend, gone, but at 91, he lived a full, sumptuous life. And the list of songs he wrote the lyrics for (with his writing partner, the great Burt Bacharach), is beyond staggering: “A House Is Not A Home,” “One Less Bell To Answer,” “The Look Of Love,” “Anyone Who Had a Heart,” “Always Something There to Remind Me,” “Do You Know The Way To San Jose?” “”Walk On By,” “What the World Needs Now Is Love,” “I Say a Little Prayer,” “This Guy’s In Love With You” – I could go on and on and on and on. He’ll always be timeless, alive in his music. R.I.P. Hal David~

 

Burt Bacharach and Hal David, 1960s

 

Idiot Box: Wendy Williams – The Greatest Farce Of All

Sorry, I ain’t buying Wendy Williams’ spurious bullshit. Making Whitney’s death all about her is tacky enough, but this is the woman who was relentless on outing Houston and her best friend Robyn as lesbians back in her radio days. She’s been an interminable bully for years – to Whitney and various other celebrities – when (and why?!?) have people started taking this category 5 phony seriously? Her tears are about as authentic as the hair on her ginormous head.

Legacy: Dobie Gray

Sad to hear the passing of Pop and Soul singer Dobie Gray. His “Drift Away” is one the seminal songs of the 1970s. Read his obituary here. Here’s a re-post of a blog I wrote last year about his classic jam – one of my favorite songs of all time.

Rest in peace, Dobie. I want you to know I believe in your song…all of them.

Dobie Gray’s version of “Drift Away” is, justifiably, the most famous and, by far, the most brilliant reading of the Mentor Williams-penned (that would be Paul Williams’ brother) 70s staple. Originally released on John Henry Kurtz’ 1972 REUNION album, the indelible classic always takes me away…to that far away place I used to reside – within the deepest caverns of my soul. At times the song makes me weep, as I miss the halcyon days of my youth and the kinder world we thrived in. When any ills of the world would be swept away when reaching for your LP of your favorite music was all that was needed to, well, drift away.

And when my mind is free…you know a melody can move me…and when I’m feelin’ blue…the guitar’s comin’ through to soothe me…

The song was covered hundreds of times these past 40 years, most famously and recently in a passionless 2003 recording by Uncle Kracker. Credited as Uncle Kracker featuring Dobie Gray, the track meandered along in karaoke sterility until finally Gray’s soul chimed in mid-point and he infused it with a thrilling tremble. When the track reached #9 on Billboard’s Top 100, Gray broke the record for the biggest gap between top US top 10 appearances (it had been 30 years between both). The Kracker version had a far more major impact on Billboard’s Adult Contemporary charts – it holds the record as the longest #1 on that chart, having reigned for 28 weeks in 2003-04. No doubt thanks to Gray.

There was a story told by Kracker that the song was initially written for Elvis, but Presley turned it down once he heard Gray’s version of it. Gray was a demo singer in Memphis at the time. Talk about decree.

Gray’s had a decades-long career. While never matching the mega-success of “Drift Away” (Uncle Kracker notwithstanding), he’ s recorded dozens of albums. HERE is his Wikipedia page – spelunk and learn.

And here is “Drift Away”