Went to see the Tony-nominated Best Musical MILLION DOLLAR QUARTET last night, thanks to a co-worker’s extra ticket. It wasn’t a perfect production, but it was enjoyable on the jukebox musical genre level that’s sadly permeated Broadway in recent years.
A semi-fictionalized account based on the iconic photo of Carl Perkins, Elvis Presley, Johnny Cash and Jerry Lee Lewis (above) during an impromptu recording session one afternoon at Sam Phillips’ Sun studio in 1956, the show’s main saving grace came in the form of singer/songwriter Levi Kreis. In a performance that could have teetered toward cartoonish buffoonery, which would have been easy within the conventional storytelling mechanism of the book AND the fact that he portrayed Jerry Lee Lewis, Kreis infused the show with unabashed energy, charisma and an astonishing musical dexterity. He was a powder keg exploding – his Tony Award was well deserved.
Sure, Train’s “Hey Soul Sister” has some of the most cringe-inducing lyrics of the year. I mean, here’s a sample:
You gave my life direction, a game show love connection we can’t deny
I’m so obsessed, my heart is bound to beat right out my untrimmed chest
I believe in you, like a virgin, you’re Madonna, and I’m always gonna wanna blow your mind
If that’s not enough to convince you, consider the first line of each chorus, which sings, “Hey soul sister, ain’t that Mister Mister on the radio…?” No, really.
But, as someone who is not ashamed to declare their song “Drops Of Jupiter” a veritable classic (and named it his favorite song of 2001), who am I to judge what moves people? Perchance Pat Monahan’s been listening to way too much Jason Mraz lately, but, hey, if it works for Mr. A to Z, why not Train? And come on! Monahan’s accompanied by a ukulele! A UKULELE! How do you NOT love a ukulele?
But, I feel I’m skewering off topic, so let’s just chuck “Hey Soul Sister” as yet another indelible, pop-culture phenomenon in their canon and forge ahead.
Love Train or loathe them, you’d have to be a soul-free, deadened automaton not to delight in the sheer cheesy, unmitigated joy of this video, performed by the students of Canada’s University Of Victoria (UVic). As a steadicam sojourns throughout the campus in a non-interrupted flow, the students and faculty at UVic redefines the archetype for “school spirit” as I’ve never seen before. It’s awkward, exhilarating, joyous and silly, and even perhaps a bit too lengthy. And it makes me smile for 6.5 glorious minutes.
Oh, you were a vampire...and I may never see the light...
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The Joey allude of the headline aside, of course I hold no antagonism toward Johnette Napolitano. True, post-WALKING IN LONDON, Concrete Blonde’s releases mostly meandered through head-scratchers and curios, while Johnette’s contributions to the otherwise dire NO TALKING, JUST HEADfiasco were that Talking Heads offshoot’s only (barely)palliative moments. But anger? Of course not. They became my favorite band the moment I heard the opening guitar crunch of their great God Is A Bullet single from their second album, 1989s FREE, which morphed into near obsession by the time their 1990 masterpiece BLOODLETTING was released – the bands 3rd album became my #1 album of the same year, and Top 10 of the decade. Her hauntingly beautiful reading of Coldplay’s “The Scientist” (from the soundtrack to the film WICKER PARKand her unjustly overlooked 2007 solo CD SCARRED) ranks in the tops of my most beloved cover songs.
Napolitano has long been one of my personal favorite Rock N Roll singers – a sadly unheralded (by those not in the know) exemplary vocalist, bassist and songwriter (her list of various credits could be found on her Wicki page profile HERE).
So, you could imagine how I trembled with orgasmic pleasure when I clicked onto Slicing Up Eyeballs (one of my regular go-to music blogs) and read the following:
Details are scant, but it appears Concrete Blonde is reuniting this summer after a five-year split to mark the 20th anniversary of Bloodlettingby going on tour and performing the 1990 album — with its crossover hit “Joey” and fan fave “Tomorrow, Wendy” — live in its entirety.
On its website, the band — the longtime core of singer/bassist Johnette Napolitano and guitarist James Mankey — has posted the cover of Bloodletting and this cryptic message: “Joey’s 20th Birthday / The Vampires Rise / Summer 2010″ (shown above).
At least one tour date, however, has emerged: Concrete Blonde is scheduled to perform Bloodlettingin its entirety — and Napolitano will be available for a meet-and-greet with paying fans — on June 21 at the Arvada Center for the Arts just outside of Denver, Colo.
I’m not sure what mighty powers I need to imbue the universe with, or what supernatural forces are necessary – and I don’t want to sound like a 9-year old girl who’s missing out on Justin Bieber tickets – but if this tour doesn’t pass through NY, “Like, OMG, I’ll die!” I simply cannot…will not…I refuse to miss this. A fucking meet-and-greet? Oh, sweet Mother Earth…
So, Johnette, if you’re listening (or if you’ll actually read the 500 e-mail’s I’m sure to imminently send), please do not forsake your New York fans…do not forsake ME! Please sing me…nay, sing US a…
…“Lullaby…”
When the sky has fallen
Like a blanket on your shoulder
And the moon is like a mother
Looking over you forever
And the dawn is so familiar
You were meant to be together
Like a fog around a mountain…forever
So softly…so sweetly
Surrounding you completely
Sing you a lullaby, a lullaby to you
Lullaby…a lullaby to you
When your breathing is the wind
And your crying is the rain
Well i know you will remember
Because the music is forever
The living of a lover –
And the loving of another
Like a sister to a brother
Like a father to a mother
So softly…so close to me
You’re surrounding me so beautifully
Lullaby…a lullaby to you
Latin/Pop Megastar, new father (and one of the sexiest men on the planet) Ricky Martin has finally shaken his bon bon’s publicly, smashing his own personal glass closet, and proclaimed what most of the universe has already known for years…
A few months ago I decided to write my memoirs, a project I knew was going to bring me closer to an amazing turning point in my life. From the moment I wrote the first phrase I was sure the book was the tool that was going to help me free myself from things I was carrying within me for a long time. Things that were too heavy for me to keep inside. Writing this account of my life, I got very close to my truth. And thisis something worth celebrating.
For many years, there has been only one place where I am in touch with my emotions fearlessly and that’s the stage. Being on stage fills my soul in many ways, almost completely. It’s my vice. The music, the lights and the roar of the audience are elements that make me feel capable of anything. This rush of adrenaline is incredibly addictive. I don’t ever want to stop feeling these emotions. But it is serenity that brings me to where I’m at right now. An amazing emotional place of comprehension, reflection and enlightenment. At this moment I’m feeling the same freedom I usually feel only on stage, without a doubt, I need to share.
Many people told me: “Ricky it’s not important”, “it’s not worth it”, “all the years you’ve worked and everything you’ve built will collapse”, “many people in the world are not ready to accept your truth, your reality, your nature”. Because all this advice came from people who I love dearly, I decided to move on with my life not sharing with the world my entire truth. Allowing myself to be seduced by fear and insecurity became a self-fulfilling prophecy of sabotage. Today I take full responsibility for my decisions and my actions.
If someone asked me today, “Ricky, what are you afraid of?” I would answer “the blood that runs through the streets of countries at war…child slavery, terrorism…the cynicism of some people in positions of power, the misinterpretation of faith.” But fear of my truth? Not at all! On the contrary, It fills me with strength and courage. This is just what I need especially now that I am the father of two beautiful boys that are so full of light and who with their outlook teach me new things every day. To keep living as I did up until today would be to indirectly diminish the glow that my kids where born with. Enough is enough. This has to change. This was not supposed to happen 5 or 10 years ago, it is supposed to happen now. Today is my day, this is my time, and this is my moment.
These years in silence and reflection made me stronger and reminded me that acceptance has to come from within and that this kind of truth gives me the power to conquer emotions I didn’t even know existed.
What will happen from now on? It doesn’t matter. I can only focus on what’s happening to me in this moment. The word “happiness” takes on a new meaning for me as of today. It has been a very intense process. Every word that I write in this letter is born out of love, acceptance, detachment and real contentment. Writing this is a solid step towards my inner peace and vital part of my evolution.
I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am.
Hasn’t been a stellar year for CDs. Well, rather than blame the output, I’ll blame myself. It hasn’t been a year I’ve spent hunting or gathering or submerging myself in new music. Whereas, in any given year, I’d hear hundreds of new releases, I’ve barely reached the one hundred mark in 2009. And the copious amount of hours spent between my headphones didn’t result in too many glorious moments. Except these. Here are my twenty favorite moments of musical bliss for the year…the beauty…followed by the beasts…
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LA BELLE
1 K’Naan – Troubadour
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2 Amadou & Mariam – Welcome To Mali
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3 Brad Paisley – American Saturday Night
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4 Maxwell – BLACKsummers’night
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5 Leonard Cohen – Live In London
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6 Neko Case – Middle Cyclone
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7 Antony & The Johnsons – The Crying Light
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8 Marianne Faithfull – Easy Come Easy Go
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9 Animal Collective – Merriweather Post Pavilion
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10 Melinda Doolittle – Coming Back To You
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11 Girls – Album
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12 Nirvana – Live At Reading
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13 Willie Nelson & Asleep At The Wheel – Willie and the Wheel
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14 Nellie McKay – Normal As Blueberry Pie: A Tribute To Doris Day
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15 The xx – The xx
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16 Pearl Jam – Backspacer
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17 Miranda Lambert – Revolution
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18 The Dirty Projectors – Bitte Orca
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19 The Avett Brothers – I and Love and You
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20 Mos Def – The Ecstatic
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ET LA BETE…
1 Mariah Carey – Memoirs Of An Imperfect Angel
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2 Bon Jovi – The Circle
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3 Rob Thomas – Cradlesong
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4 Chris Cornell – Scream
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5 Eminem – Relapse
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6 Rascal Flatts – Greataest Hits Volume 1
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7 Chris Brown – Graffiti
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8 Asher Roth – Asleep In The Bread Aisle
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9 U2 – No Line On The Horizon
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10 Timbaland – Shock Value 2
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Hopefully it’s not too much to ask for a better 2010~
…Jeffrey wishes you a VERY MERRY CHRISTMAS!!!! HAPPY KWANZAA!!! FELIZ NAVIDAD!!!! HAPPY HOLIDAYS!!!!! Whatever your religious or non-religious affiliations, whichever your spiritual or secular proclivities…it is a time of love and retrospect and soul-searching.
On this 12th day of (Jeffrey)Christ-mas, I give to you my favorite non-traditional Christmas song of them all, a surreal, haunting meeting of two great singers from two disparate generations singing about something so universal.
And what better memo for mankind during the holidays – especially while living in these hellish economic days – than the basic message of “Little Drummer Boy”? Consumerism has ruled – thus nearly ruined – the holidays for eons, and everyone’s inherent knee-jerk obligation is to spend money to exhibit their devotion for their loved ones…charging credit cards, racking up bills, emptying wallets, the worry that it’s never enough, or the fear that begets guilt that the receiver won’t like it. It’s maddening, really. Life shouldn’t be that hard-pressed.
But one needn’t spelunk their dwindling pockets to showcase their declarations. All one really needs to show how they feel about those they love is to play their own drum.
And “Peace On Earth” is a glorious counterpoint…
Peace on Earth, can it be Years from now, perhaps we’ll see See the day of glory See the day, when men of good will Live in peace, live in peace again
Every child must be made aware Every child must be made to care Care enough for his fellow man To give all the love that he can
Peace on Earth, can it be
I pray my wish will come true
For my child and your child too
He’ll see the day of glory
See the day when men of good will
Live in peace, live in peace again
Perchance life can’t be simplified in such idealistic terms, I know. Perhaps “Peace On Earth/Little Drummer Boy” speaks the words of a naive person who wishes to see the world thrive in peace, and love to rule humanity. Perhaps.
Sadly, it isn’t love that makes the world go round – it is money, greed, hatred, intolerance.
But sometimes the simplest of expressions are words to live by…and hope is a dream we can’t afford to lose.
Me, rockin’ the 80s pornstache, dressed as Santa, dazzlin’ the audience with OH, HOLY NIGHT
…Jeffrey gave to you…“Oh, Holy Night” by…well, just about anyone, really.
From the most classic voices in history (Mahalia Jackson, Donna Summer, Luciano Pavarotti) to the artists I adore, to those I ordinarily can’t stomach (Celine Dion, Whitney Houston, Mariah Carey), rare is the version of “Oh, Holy Night” that I don’t succumb to (not to get my Scrooge on, but putrid recordings that do come to mind – say, Jessica Simpson’s, Il Divo’s, Danny Gokey’s, Celtic Women’s – are not the norm, but rather musical anomalies better left to the art of sign language).
The song is, in my opinion, not only the most beautiful carol of them all, but one of the greatest melodies ever written, hence one of histories greatest songs. And, lest I am accused of hypocrisy again, I’ll reiterate what I wrote in my 1st Day of (Jeffrey)Christ-mas post:
…some decry or belittle my passion for Christmas and its seasonal tunes – I’m often accused of hypocrisy; “How? You’re an atheist – a non believer!! Blah blah blah!!!” Fair enough (those same town criers say the same because of my love of gospel), but as I alluded earlier, it’s the spirit (yes) but also the ideal of the holiday, and what it should bring out in mankind. It often fails, apparently, but there’s no harm in the yearning. So, I love religious carols too, despite the doctrine.
So, it’s not the lyrical content of “Oh, Holy Night”, but its rapturous melody, and more importantly, the ideal of its dogma. It’s a beautiful thing to believe in such fairytales, and if it makes one human being a more contented soul, then who am I to negate its effect/affect?
It also unearths a wave of emotional stimuli from the core of my very soul. I was honored to perform the song back in 1984 during my High School’s annual winter concert (I wrote a little about that same night HERE). When the solos were being issued weeks earlier, a lesser voice attempted to acquire it, but Dr. Morris wouldn’t even entertain that notion. She knew it was my favorite song, yes, but more importantly, and for the better of the show, she knew – steadfastly and adamantly – that not a single body in the entire school would be able to resonate on this canticle as I would…she knew my voice better than even I understood and there wasn’t a scintilla of a second thought in her decision that I would sing this solo.
So, come showtime, with the chorus as my own personal backup choir, I took to the stage…in my Harley Davidson MC boots, my Rock ‘N Roll hair, my 80s pornstache, and dressed as a nearly-clean shaven Santa (I had, at this point, removed the fake white beard), I stood before the packed auditorium and sang out to the masses. And it was magical…my voice, like a clarion, singing in the night as my classmates wept, and the audience roared to a thunderous standing ovation, and as I glanced over to a teary-eyed Dr. Morris I knew then that it was, undoubtedly, a highlight of my High School “career”. (Update – As my brother Sean reminded me, the powers that be made me change “Christ” to “He”, as in “Oh night, when HE was born..” I had forgotten that bit of history. Thanks, Sean!)
I don’t write these words as a man putting his ego to pen, or as a braggart seeped in self-aggrandizement. I write these words merely as an emblem of a simpler time…and of the influence that the song had in my life.
I was recently bestowed a gift from a friend and a genuine celebrity. Back in October, my friend Jim Cantiello, for an MTV News piece, was interviewing David Archuleta of “American Idol” fame. Jim asked David to go caroling throughout the company to a few people who were fans, and one of those visits was to me. When Jim arrived at my office, David asked which song would I like him to sing and without hesitation I told him that I’ve been listening to his recent holiday release and his version of “Oh Holy Night” so it would be an honor for him to sing that to me. Well, words can’t describe the emotionality of the moment – here was this young man, so humble and authentic, with a voice that rang through my mind like an angel on earth, singing “Oh, Holy Night” to a mere mortal like me, in my dark little cavern of MTV. In a word, celestial! (You can watch Jim and David’s MTV Carol extravaganza HERE)
Feast your ears on these various incarnations of this most heavenly hymn. Believer or non-believer, atheist or a theist, sinner or saint, “Oh, Holy Night” is undeniable.
Patti LaBelle’s transcendent 1990 Johnny Carson performance
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Mahalia Jackson’s definitive version
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The Queen with the Fifth Beatle
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The incomparable Donna Summer from Solid Gold’s Christmas Special
…Jeffrey gave to you… A CHRISTMAS GIFT FOR YOU FROM PHIL SPECTOR!
Greater minds, critics and philosophers have waxed philosophic about this monumental holiday masterpiece far more judiciously and with more wisdom than I ever could attempt, that anything I can possibly write would be an infinitesimal contribution. But, what I can and will say – before I let you sit back and let the music envelope your very soul – is that on a personal, intrinsic level, no holiday collection ever released has brought me such innate elation for so many years. From the very first notes of Darlene Love’s “White Christmas” to the last refrain of “Silent Night”, this is a most fantastic brew of classic Rock and Soul voices, Spector’s legendary Wall of Sound and the spirit of the holidays. 30 years after first listen, it continues to warm my very soul.
A few fans uploaded all the tracks as various viral videos on YouTube but who knows how long they’ll last before the YouTube Nazis yank them for their own megalomaniac needs. In fact, the last cut on the album, “Silent Night” performed by Spector’s artists, is non-existent in any form. But, even minus that track, it’s an exhilarating listen. So, without any more pontificating, here is (most of) A CHRISTMAS GIFT FOR YOU.
Tk 1 Darlene Love – White Christmas
Tk 2 The Ronettes – Frosty The Snowman
Tk 3 Bob B. Sox & The Blue Jeans – The Bells of St. Marys
Tk 4 The Crystals – Santa Claus Is Coming To Town
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Tk 5 The Ronettes – Sleigh Ride
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Tk 6 Darlene Love – Marshmallow World
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Tk 7 Ronettes – I Saw Mommy Kissing Santa Claus
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Tk 8 The Crystals – Rudolph The Red Nosed Reindeer
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Tk 9 Darlene Love – Winter Wonderland
Tk 10 The Crystals – Parade Of The Wooden Soldiers
Tk 11 Darlene Love – Christmas (Baby Please Come Home)
Tk 12 Bob B. Sox & The Blue Jeans – Here Comes Santa Claus