We’ll Take A Cup O’ Kindness Yet…


(This is pretty much a repost from last year’s New Years wishes, only the dates have changed and I added a little more verbiage to reflect its relevence…)


ABBA, the eternal androids from Sweden – whose music will survive any imminent nuclear holocaust – has arguably the most popular ‘pop’ New Years song (that I can think of off the top of my noggin) with the appropriately titled “Happy New Year”. Without grasping the irony in its seemingly cheerful lyrics, most who hum along don’t realize it’s a depressing, dark and sarcastic tribute to the impending year, and decade, in question. Don’t believe me? Read the lyrics HERE.

While listening to the song recently, especially the last verse before the chorus…

But is it REALLY a HAPPY New Year, ABBA?



Seems to me now
That the dreams we had before
Are all dead, nothing more
Than confetti on the floor
It’s the end of a decade
In another ten years time
Who can say what we’ll find
What lies waiting down the line
In the end of ‘89



…I wondered why they hadn’t thought to record multiple versions that would be played every end-of-decade, almost guaranteeing the relevance of the song (although 2019 doesn’t rhythmically or melodically fit into my rambling discourse…) and their timelessness.  

Hum away, enjoy. But, me?  I can’t think of a more glorious way to ring in 2010 than with the Queen of, well, everything, and the late, great Billy Preston, side by side at the piano, elatedly serenading you and me with “Auld Lang Syne” (from David Brenner’s 1980s talk-fest “Night Life”).



It instills in us the hope that, perhaps if we really try, we could swiftly forgo a most tumultuous 2009 – and any distress the Aughts as a whole might have emanated – and truly believe in ourselves the possibility of a most sanguine new year.  After all…


May we all have a vision now and then
Of a world where every neighbour is a friend
Happy new year
Happy new year
May we all have our hopes, our will to try
If we don’t we might as well lay down and die
You and I 


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